Poziv za učešće: Festival SONEMUS – New Generation
Festival SONEMUS – New Generation
– Multidisciplinarna radionica i koncert –
14.12-15.12.2024. | Muzička akademija Univerziteta u Sarajevu
Udruženje Nove Muzike SONEMUS, osnovano 2001. godine, vodeća je organizacija u Bosni i Hercegovini koja se bavi savremenom umjetničkom muzikom, a o dosadašnjim uspjesima na domaćoj i međunarodnoj sceni svjedoče mnogobrojna učešća na međunarodnim festivalima, veliki broj premijera djela bosanskohercegovačkih i internacionalno aktivnih kompozitora, saradnja sa etabliranim evropskim muzičarima današnjice, preko 100 realiziranih koncerata u zemlji i inostranstvu, te niz radionica i javnih predavanja u domenu izvedbe, improvizacije i kompozicije. Stoga je SONEMUS preko dvije decenije kontinuiranog djelovanja, stvaranja infrastrukture u smislu osnivanja i uspješnog vođenja SONEMUS ansambla, te buđenja javnog interesa za savremenom muzikom kao sastavnog dijela muzičkog života u Sarajevu i BiH, posvećen realizaciji tri osnovna cilja: izvedba, edukacija i promocija internacionalno relevantne savremene umjetničke muzike u BiH, kao i bosanskohercegovačkog muzičkog stvaralaštva u inostranstvu. Osim toga, značajan doprinos udruženje SONEMUS daje razvoju i afirmisanju mladih muzičara, poticanju njihovog profilisanja u području savremene umjetničke muzike,te im kroz zajedničke koncerte i majstorske radionice s renomiranim izvođačima i kompozitorima pruža uvid u specifičnosti i interpretativne postulate u ovom polju.
Novopokrenuti projekat SONEMUS New Generation usmjeren je na edukaciju učenica i učenika osnovnih i srednih muzičkih/glazbenih škola kroz interaktivne, participativne i inkluzivne sadržaje. Kroz dvodnevnu multidisciplinarnu radionicu, koja obuhvata muzičku kompoziciju, improvizaciju, rad s elektroničkim instrumentima, te predstavljanje prirode i mogućnosti instrumanata koji djeca već sviraju u muzičkim školama, učesnice i učesnici će imati priliku da na pristupačan i sveobuhvatan način istraže različite elemente komponovanja i izvedbe savremene improvizirane muzike. Radionice će voditi priznati bosanskohercegovački kompozitori i izvođači aktivni na ovdašnjim koncertnim podijima, nastavnici Muzičke akademije Univerziteta u Sarajevu, kao i muzičari mlađe generacije. Kao reprezent ostvarenih rezultata, festival će biti zaokružen koncertom SONEMUS New Generation na kojem će sa mentorima nastupiti polaznice i polaznici svih radionica.
Cilj projekta je razvijanje afiniteta i potencijala, te proširivanje sfere interesovanja i vidika učenika muzičkih/glazbenih škola od njihovih incijalnih koraka, bez obzira da li će se u budućnosti profilirati u muzičke profesionalnce ili će se opredijeliti za druge profesije. Kroz učenje i poticanje razumijevanja različitih slojeva muzike u interaktivnom ambijentu, kroz timski rad, djeci i mladima u formativnim godinama nastojimo ponuditi nove perspektive i mehanizme za izgradnju analitičkog i kritičkog pristupa različitim muzičkim sadržajima na tehničkom i estetskom nivou, osvijestiti značaj pojedinačnog doprinosa svakog učesnika, ali i ukazati na neophodnost dijaloga i empatije u radu na zajedničkom cilju – koncertu.
Program dvodnevnog festivala sastoji se od multidisciplinarne radionice savremene improvizirane muzike tokom koje će biti osmišljen i pripremljen program završnog koncerta.
PROGRAM:
SUBOTA, 14.12. 10:00–17:15 | Multidisciplinarna radionica savremene improvizirane muzike kroz četiri tematske cjeline | |
09:30-10:00 Registracija učesnika | ||
10:00-11:30 Proširene tehnike sviranja i improvizirani instrumentarij | Predavači će predstaviti nove tehnike sviranja, nakon čega slijedi istraživanje alternativnih načina proizvodnje zvuka i izgradnja instrumenata od predmeta iz svakodnevice za potrebe ansambla. | Predavači: Članovi ansambla SONEMUS i Impro ansambla MAS |
11:30-11:45 Kratka pauza | ||
11:45-13:00 Slobodna improvizacija | Razvijanje muzičkih koncepata kroz odabir materijala i rad u ansamblu koji će biti predstavljeni na završnom koncertu. | Voditeljica ansambla: dr. Hanan Hadžajlić, kompozitorica i flautistica |
13:00-14:00 Pauza za ručak (ručak će biti obezbijeđen od strane festivala) | ||
14:00-16:15 Uvod u osnove kompozicije: od muzičke ideje do djela | Ansambl će odabrati nekoliko učesnika koji će imati ulogu kompozitora grafičkih partitura. Nakon toga, zajedno će raditi na realizaciji njihovih muzičkih zamisli. | Predavač: prof. mr. Ališer Sijarić, kompozitor |
Kratka pauza | ||
Upoznavanje različitih načina kompozicionog mišljenja s fokusom na razvoj kreativnosti i razumijevanje grafičke notacije i procesa rada sa muzičkim materijalom. | ||
16:15-16:30 Kratka pauza | ||
16:30-17:15 Svijet elektroničke muzike | Predstavljanje osnovnih principa rada modularnih sintetizatora i načina proizvodnje elektroničke muzike na teoretskom i praktičnom nivou. | Predavač: mr. Rijad Kaniža, muzikolog i student kompozicije |
NEDJELJA, 15.12. 10:00–19:15 | Pripreme za završni koncert festivala | |
10:00-14:00 Proba ansambla | Priprema za koncertnu prezentaciju odabranih impro koncepata (uz kratke pauze). | Voditeljica ansambla: dr. Hanan Hadžajlić, kompozitorica i flautistica |
12:00 – 13:00 Pauza za ručak (ručak će biti obezbijeđen od strane festivala) | ||
18:15 | Okupljanje učesnika koncerta na Muzičkoj akademiji UNSA | |
19:00-19:45 Koncert: SONEMUS – New Generation | Koncertna prezentacija odabranih impro koncepata i grafičkih partitura nastalih u sklopu radionica uz dodjelu certifikata učesnicima festivala. | Učesnici: SONEMUS – New Generation (ansambl učesnika radionica) Gosti: Ansambl SONEMUS Impro ansambl MAS |
Ko se može prijaviti?
- Učenici/e osnovnih i srednjih muzičkih/glazbenih škola, instrumentalnih i teoretskih odsjeka, koji žele u interaktivnom i poticajnom okruženju proširiti svoje muzičko znanje, steći uvid u muzičke tokove aktuelnog trenutka, “proviriti” u prostrani svijet muzičke kreativnosti, te upoznati vršnjake sličnih interesovanja.
Prijavni obrazac potrebno je ispuniti najkasnije do 9. decembra 2024. godine do 23:59 ili preuzeti u formatu word dokumenta koji je u zadanom roku potreno popuniti i dostaviti na adresu sonemus.newgeneration@gmail.com.
- Pohađanje radionica je besplatno, a koncert je otvoren za širu javnost.
Dodatne napomene:
Preduslov za učešće:
- Nakon procesa prijave, odabrani učesnici/e festivala dužni su dostaviti ispunjenu i potpisanu saglasnost roditelja/staratelja mailom na adresu sonemus.newgeneration@gmail.com do početka realizacije programskih aktivnosti.
Tokom trajanja festivala:
- Učesnici su dužni pridržavati se kućnog reda ustanove u kojoj se održava festival i programa aktivnosti, te pratiti upute mentora tokom trajanja radionica;
- Roditeljima/starateljmai i predmetnim nastavnicima škole koju djeca pohađaju dozvoljeno je prisustvo na radionicama i probama;
- Po završetku dnevnih aktivnosti, roditelji/staratelji ili predmetni nastavnici (u dogovoru s roditeljem/starateljem) trebaju doći po dijete;
- Završni koncert je otvoren za širu javnost, uključujući djecu svih uzrasta u pratnji roditelja/staratelja ili predmetnih nastavnika;
- Organizator nije odgovoran za izgubljene ili oštećene lične stvari, te preporučujemo da se vrijedni predmeti (izuzev ličnih muzičkih instrumenata) ne donose na festival.
Nakon festivala:
- Učesnicima festivala bit će uručeni certifikati o učešću.
Za dodatne informacije možete nam se obratiti putem e-maila sonemus.newgeneration@gmail.com ili pozivom na +387 62 204 906.
SONEMUS FEST 2024: WARIATIONS
Muzička akademija Univerziteta u Sarajevu
Academy of Music – University of Sarajevo
Armin Smriko, bas klarinet / bass clarinet
Rijad Šarić, sopran saksofon / soprano saxophone
James Aylward, fagot / bassoon
David Lang (USA)
Liza Lim (AU)
Elo Masing (EST)
Ališer Sijarić (BiH)
Karlheinz Stockhausen (DE)
Rijad Šarić, sopran saksofon / soprano saxophone
James Aylward, fagot / bassoon
Hanan Hadžajlić, alt flauta / alto flute
James Aylward, fagot / bassoon
Armin Smriko, bas klarinet / bass clarinet
Galerija Bosanskog kulturnog centra KS
Gallery of Bosnian Cultural Centre
Mirjam Avango, klarinet / clarinet
Toomas Hendrik Ellervee, violina / violin
Talvi Nurgamaa, viola / viola
Paul-Gunnar Loorand, violončelo / cello
Talvi Hunt, klavir / piano
Arash Yazdani, dirigent / conductor
Hanan Hadžajlić (BiH)
Liisa Hõbepappel (EST)
Sonja Mutić (SRB)
Ališer Sijarić (BiH)
Arash Yazdani (IR/EST)
Muzička akademija Univerziteta u Sarajevu
Academy of Music – University of Sarajevo
Lev Pupis, sopran saksofon / soprano saxophone
Rijad Šarić, alt saksofon / alto saxophone
Mirza Sijerčić, tenor saksofon / tenor saxophone
Zoja Vuković, bariton saksofon / baritone saxophone
Georg Friedrich Haas (AT)
Ališer Sijarić (BiH)
Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
Performativni aspekti savremenog repertoara za fagot /
Performative aspects of the contemporary repertoire for bassoon
James Aylward, fagot / bassoon
Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
Performativni aspekti djela “Phasma” Beata Furrera /
Performative apects of the piece “Phasma” by Beat Furrer
Talvi Hunt, klavir / piano (Ensemble for New Music Tallinn)
Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
“Dimension II, Destruction” za sekstet sa trakom – kompozitorska perspektiva /
“Dimension II, Destruction” for sextet with tape – composer’s perspective
Arash Yazdani, kompozitor i dirigent / composer and conductor (Ensemble for New Music Tallinn)
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SONEMUS FEST 2023: PRO/A̵G̵/GRESSION
Čast nam je i zadovoljstvo pozvati Vas na najnovije izdanje SONEMUS Festa, jedinog festivala savremene umjetničke muzike u Bosni i Hercegovini koji djeluje već 22 godine.
U historijskom trenutku, u kojem ponovo svjedočimo nepremostivim i neizmirljivim, često krvavim sukobima (političkih/kulturnih/religijskih/etničkih, itd.) identiteta, čini se kao da na globalnoj razini odustajemo od ideala društvenog progresa utemeljenog na univerzalnim humanističkim vrijednostima, što posljedično vodi i odustajanju od ideala o slobodi kao osnovnom ljudskom pravu i obilježju. Konformistički prepuštajući društveni napredak razvoju tehnologije, u uzaludnoj vjeri da tako možemo izbjeći vlastitu odgovornost, zatvoreni u identitetske balone virtualnih “istina”, postepeno tonemo u visokotehnologizirani korporativni feudalizam, koji nužno eksplodira u izljevima iracionalne agresije.
Upravo kao vid otpora ovakvom stanju stvari, a u tradiciji umjetničke muzike koja od Beethovena do danas proklamira ideju o univerzalnosti ljudske slobode stvaralaštva (jer sloboda se uvijek iznova stvara, dok je razaranje njena negacija), održava se i ovogodišnji SONEMUS Fest.
Prvim koncertom “Hommage à Ligeti” (ponedeljak, 30.10.2023. u 20:00) SONEMUS obilježava 100 godina od rođenja jednog od najznačajnijih kompozitora 20. stoljeća, Györgyja Ligetija. Pored bosanskohercegovačkih premijera originalnih Ligetijevih kompozicija na programu će se naći i djela drugih kompozitora koja se referiraju na njegovo muzičko nasljeđe, poput kompozicije mlade bosanskohercegovačke kompozitorke Hanan Hadžajlić, kao i djela za dva klavira u četvrttonskom štimu međunarodno renomiranog Georga Friedricha Haasa. Kao uvod u koncert, s početkom u 19:00 biti će održano i javno predavanje o Ligetijevom stvaralaštvu.
Drugi koncert, “Alter Ego” (utorak, 31.10.2023. u 20:00) programira djela bosanskohercegovačkih, grčkih, francuskih, palestinskih i švicarskih kompozitora s težištem na solističku i kamernu muziku, kao izraza drugog (muzičkog) ja.
“Progressions” (srijeda, 1.11.2023. u 20:00), treći i završni koncert ovogodišnjeg SONEMUS Festa tematizira muzičku improvizaciju, kao izraz da se sloboda/stvaralaštvo može ne samo kontemplirati i teoretizirati, već i živjeti/muzicirati.
Svi koncerti održati će se u sali Muzičke akademije Univerziteta u Sarajevu, J. Štadlera 1/II, Sarajevo.
U vremenima uznapredovale buke i bijesa, samo umjetnički oblikovan zvuk (i/li umjetnost uopće) može pružiti smisao i barem neku nadu za budućnost.
Ališer Sijarić
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SONEMUS Fest 2023: PRO/A̵G̵/GRESSION
It is our honour and pleasure to invite you to SONEMUS Fest, the only festival of contemporary art music in Bosnia and Herzegovina, that has endured and prospered for more than 22 years.
In this historical moment, when once again we witness unbridgeable, irreconcilable and often bloody conflicts of (political/cultural/religious/ethnic, etc.) identities, it appears that we are globally abandoning the ideals of social progress based on universal humanistic values, and consequently the concept of liberty as a basic human right and legacy. In our conformist reduction of social progress solely to technological development, mistakenly believing this will absolve us of our own responsibility, confined to our identities and virtual “truth” bubbles, we are gradually sinking into a high-tech feudalism that inevitably explodes into outbursts of irrational aggression.
Since Beethoven until today, the tradition of art music has been promoting the universality of human freedom to create. (Freedom is always creative and destruction is its opposite.) In this spirit, this year’s SONEMUS Fest represents a strong (artistic) resistance against the status quo.
With the first concert “Hommage à Ligeti” (Monday, October 30, 2023 at 8 pm) SONEMUS pays tribute to one of the most important composers of the 20th century, György Ligeti and celebrates the centenary of his birth. In addition to the national premiere of some of his original works, this concert will also feature compositions by other composers dedicated or related to Ligeti’s immense oeuvre, such is the work by young Bosnian composer Hanan Hadžajlić, as well as the composition for 2 pianos tuned quartertone apart by internationally renowned Georg Friedrich Haas. An introductory lecture about the life and work of György Ligeti will be held before the concert at 7 pm.
The second concert “Alter Ego” (Tuesday, October 31, 2023 at 8 pm) presents works by Bosnian, Greek, French, Palestinian and Swiss composers, featuring primarily works for soloists as a reflection of an imagined (musical) second self.
“Progressions” (Wednesday November 1, 2023 at 8 pm) is the title of the third and final concert of the festival and it thematizes musical improvisation as an artistic praxis and statement that the freedom (of creation) is not there only to be contemplated for the sake of theory, but to be fully enjoyed.
All the concerts will be held at the Concert Hall of the Music Academy, Josipa Štadlera 1, 2nd floor, Sarajevo.
In times when noise and rage prevail, only the art of music (and art in general) can provide meaning and some hope for the future.
Ališer Sijarić
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KONCERTI / CONCERTS
30/10 I 20.00h
Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
HOMMAGE À LIGETI
Hanan Hadžajlić, flauta / flute
Armin Smriko, klarinet / clarinet
Igor Lazić, horna / horn
Violeta Smailović-Huart, violina / violin
Lorena Milina, violina / violin
Zlatan Božuta, klavir / piano
Ivan Galić, klavir / piano
Marko Bogdanović, klavir / piano
Fuad Šetić, dirigent / conductor
PROGRAM:
György Ligeti (HU)
Hanan Hadžajlić (BiH)
G. F. Haas (AT/USA)
1. György Ligeti (1923–2006): Musica ricercata (1951-1953)
II Mesto, rigido e cerimoniale
Zlatan Božuta, klavir / piano
2. Hanan Hadžajlić (b. 1991): Homo ex Machina: Hommage à Ligeti (2016/17)
Hanan Hadžajlić, flauta / flute
Armin Smriko, klarinet / clarinet
Lorena Milina, violina / violin
Zlatan Božuta, klavir / piano
Fuad Šetić, dirigent / conductor
3. György Ligeti (1923–2006): Études (1985-2001)
no. 5 Arc-en-ciel
no. 10 Der Zauberlehrling
Ivan Galić, klavir / piano
4. György Ligeti (1923–2006): Trio for violin, horn and piano (1982)
Violeta Smailović-Huart, violina / violin
Igor Lazić, horna / horn
Marko Bogdanović, klavir / piano
5. Georg Friedrich Haas (b. 1953): Trois hommages (1982-1984)
Hommage à Ligeti (1984)
Zlatan Božuta, klavir / piano
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31/10 I 20.00h
Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
ALTER EGO
Armin Smriko, klarinet / clarinet
Rijad Šarić, saksofon / saxophone
James Aylward, fagot i bas bubanja / bassoon & bass drum
Tamara Arsovski, violina / violin
Belma Alić, violončelo / cello
Belma Šarančić, harmonika / accordion
PROGRAM:
Georges Aperghis (GR)
Hanan Hadžajlić (BiH)
Philippe Leroux (FR/CA)
Michael Jarrell (CH)
Ališer Sijarić (BiH)
Samir Odeh-Tamimi (PS/DE)
1. Georges Aperghis (b. 1945): Alter Ego (2001)
Rijad Šarić, tenor saksofon / tenor saxophone
2. Hanan Hadžajlić (b. 1991): Concerto Transhuman (2016/2017)* BH premiere
I Brain Building (Quartet)
II Artificial Breathing
III Fear Transplantation: Code Generator
James Aylward, fagot i bas bubanj / bassoon & bass drum
3. Philippe Leroux (b. 1959): De l’epaisseur (1998)
Tamara Arsovski, violina / violin
Belma Alić, violončelo / cello
Belma Šarančić, harmonika / accordion
4. Michael Jarrell (b. 1958): Assonance (1983)
Armin Smriko, klarinet / clarinet
5. Ališer Sijarić (b. 1969): Le vent aux Anches (2013)
Rijad Šarić, sopran saksofon / soprano saxophone
Belma Šarančić, harmonika / accordion
6. Samir Odeh-Tamimi (b. 1970): Tslalím (2007)
Belma Šarančić, harmonika / accordion
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November 1 I 20:00
Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
PROGRESSION
Hanan Hadžajlić, flauta / flute
James Aylward, fagot / bassoon
Impro ansambl MAS / Impro Ensemble MAS:
Aras Samardžija, klarinet / clarinet
Mirza Sijerčić, saksofon / saxophone
Rijad Šarić, saksofon / saxophone
Benjamin Drijenčić, truba / trumpet
Emili Mišić, udaraljke / percussion
Teo Udović, udaraljke / percussion
Tea Stanković, gitara / guitar
Mirza Gološ, klavir / piano
Safet Tahirović, harmonika / accordion
Sara Barbara Bilela, violina / violin
Alex Mateescu, violina / violin
Arijan Radoja, viola
Selma Sulejmanagić, viola
Alja Šabanović, viola
Fuad Šetić, dirigent / conductor
PROGRAM:
Dino Rešidbegović (BiH)
Adrian Kleinlosen (DE)
Impro Ensemble MAS (BiH)
1. Dino Rešidbegović (b. 1975): Wreesky III (2016)
Hanan Hadžajlić, flauta i procesori / flute & processors
2. Adrian Kleinlosen (b. 1987): Jazz Fetzen (2015/16)
James Aylward, fagot i elektronika / bassoon & electronics
3. Impro Ensemble MAS: S p a C E t t e r n s (2023)
4. Impro Ensemble MAS: Impro Concept 33 (2023)
5. Impro Ensemble MAS: Musica ricercata 100 – Hommage à Ligeti (2023)
Fuad Šetić, dirigent / conductor
6. Impro Ensemble MAS: Progression (2023)
Ulaz slobodan / Free admission
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⚫ PREDAVANJA / LECTURES:
▪️ 30/10 I 19:00
📍 Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
“Hommage à Ligeti“
ALIŠER SIJARIĆ, kompozitor, umjetnički direktor SONEMUS Festa, dekan Muzičke akademije Univerziteta u Sarajevu /
Composer, artistic director of the SONEMUS Fest, dean of the Academy of Music – University of Sarajevo
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▪️ 31/10 I 10:30
📍 Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
Akteulni fenomeni savremenog muzičkog života: razgovor/razmjena ideja sa Christine Fischer, umjetnička direktorica Musik der Jahrhunderte Stuttgart, menadžerica Neue Vocalsolisten i umjetnička direktorica New Music Festival ECLAT /
The current phenomena of new music life: A conversation/exchange of ideas with Christine Fischer, artistic director of Musik der Jahrhunderte Stuttgart, manager of the Neue Vocalsolisten and artistic director of the New Music Festival ECLAT
➡️ Ulaz slobodan / Free admission
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⚫ RADIONICE / WORKSHOPS
▪️ 29/10 I 15:30
📍 Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
IGOR LAZIĆ, horna / horn
Radionica za studente horne / workshop for horn students
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▪️ 1/11 I 11:30
📍 Muzička akademija Univerziteta u Sarajevu /
Academy of Music – University of Sarajevo
JAMES AYLWARD, fagot / bassoon
Radionica za kompozitore / Workshop for composers
➡️ Ulaz slobodan / Free admission
SONEMUS FEST 2022: October 15-19, Sarajevo
SONEMUS FEST 2019: April 11-18, Sarajevo
It is our honor and pleasure to invite you to SONEMUS FEST 2019.
In the experience formed by new media, sound and image have ceased to be comprehended as separate sensations: absence is substituted by virtual presence, sound appears without its physical source, and image transforms into sound movement (and vice versa). This year’s issue of SONEMUS FEST explores this new kind of art, in which the interaction of image and sound creates fascinating and inextricable textures of a synesthetic art-form.
The festival consists of 3 concerts:
- Tuesday, April 16, 2019, Cinema “Imperijal”/Brew Imperial Society (Maršala Tita street 56, Sarajevo), at 8 pm: Black Box Music is an interactive piece by Danish composer, performer and sound-artist Simon Steen-Andersen in which music, theatre and video intertwine in a dynamic and exciting way; the Concerto for violin and ensemble by Bosnian composer Ališer Sijarić will have its first performance; and a trio by Australian-Swiss composer, Paul Clift, completes the concert program. The SONEMUS Ensemble (in its largest edition so far) is conducted by Matthias Kuhn, and Carlota Cáceres—movement—and Violeta Smailović-Huart—violin—will perform as soloists.
- Wednesday, April 17, 2019, Armed Forces of Bosnia and Herzegovina Hall (Zelenih Beretki street ,2 , Sarajevo) at 8 pm. ENTRANCE – FREE!: The Swiss ensemble Proton Bern performs works that combine improvisation on a tape-recorder with traditional instruments in a piece by young Swiss composer Antoine Chessex, with Jérome Noetinger as soloist on tape-recorder, as well as on modular synthesizers in a new composition by Dino Rešidbegović. Entrance fee for this concert is free.
- Thursday, April 18, 2019, Cinema “Imperijal”/Brew Imperial Society (Maršala Tita street 56, Sarajevo), at 6.30 pm: A concert with Ensemble Mosaik Berlin, internationally renowned for their performance of interactive works combining music and live-video, featuring works by Michael Beil, Johannes Kreidler, Ricardo Eizirik and Niklas Seidl. Also, a new work by young Bosnian composer Hanan Hadžajlić will have its world premiere.
Meet the future of the arts!
Tickets for concerts on 16th and 18th can be found on www.kupikartu.ba, at their offices; at Cinema “Imperijal”/Brew Imperial Society (Maršala Tita street 56, Sarajevo) Mon.- Sat. 4 – 10 pm, as well as half-an-hour before the beginning of the concert at the event location.
This edition of the festival is dedicated to the memory of our friend and collaborator, Denis Šparavalo.
Sonemus Fest 2018, April 16 – 21, Sarajevo
SONEMUS ensemble with premieres by Antoine Fachard and Ališer Sijarić, as well as Works by Richard Barrett and Brian Ferneyhough.
Sonemus Fest 2018, April 16 – 21, Sarajevo
SONEMUS ensemble with premieres by Antoine Fachard and Ališer Sijarić, as well as Works by Richard Barrett and Brian Ferneyhough.
SONEMUS FEST 2018 – COMPOSITION LECTURES
Workshops with Richard Barrett, Antoine Fachard and Ališer Sijarić.
REGISTRATION FORM – INSTRUMENTAL WORKSHOPS
SONEMUS workshops for instrumentalists: April 19 – 21
Guest composers: Richard Barrett (UK), Antoine Fachard (CH), Ališer Sijarić (BiH)
Previous Event: Sonemus Fest 2017, April 2-9, 2017, Sarajevo
Concert Programme
Friday, April 7th 2017, 7:30 pm PRE-ART Soloists (CH) Works by: Vinko Globokar: Septuor par treize sources (2017) – premiere Stefan Wirth: Lieux de mémoire (2017) – premiere Deniz Nurhat (*1989): Kurkku for ensemble (2016) Marijana Janevska (*1990): Transfiguration for ensemble (2016) Michel Roth (*1976): Aria for Doublebass solo (2016) Matthias Arter (*1964): Medusa, Fuga a 5 voci for ensemble (2015) | Saturday, April 8th 2017, 7:30 pm SONEMUS Ensemble (BiH/CH) Works by: Ališer Sijarić (*1975): Noise Prevails (2015) Martin Jaggi (*1978): Plod on for violin, viola, cello and piano (2007) Marko Nikodijević (*1980): Music box / Selbstportrait mit Ligeti und Strawinsky (und Messiaen ist auch dabei) (2003) György Ligeti (1923-2006): Chamber Concerto for 13 instrumentalists (1969-1970) | Sunday, April 9th 2017, 7:30 pm Ensemble NEOFONIA (SLO) Works by: Uroš Rojko (*1954): Neofonía – new work (2017) Christophe Bertrand (1981-2010): La Chute de Rouge (2000) Hanan Hadžajlić (*1991): new work (2017) Dieter Ammann (*1962): Cute (2011) Urška Pompe (*1969): And, through and over everything (2017) |
It is our honour and pleasure to invite you to SONEMUS FEST 2017.
In a room full of clocks, each beating out its own pulse, mechanical time transcends into an auditory landscape, rippling like the surface of the sea. Labyrinths of the imagination open up for the attentive listener/viewer, filled with mirrors reflecting unsuspected, hidden contours of the self. DIS/C/LOC/K/ATION, a play on words intertwining clock and dislocation, denotes non-linear, “disjointed” time as measured by our internal clocks, freed from the constraints of mechanical predetermination. In keeping with the programme motto, the compositions at this year’s festival are also (each in its own way) precisely crafted mechanisms, fine-tuned by their creators to do the impossible: measure the immeasurable.
The festival consists of three concerts:
PRE-ART [PreArt Soloists (CH)] featuring the world premiere of the newest piece by the French-Slovenian doyenne of avant-garde music, Vinko Globokar (internationally, the most renowned composer from former Yugoslavia); the announcement of the international competition Pre-Art 2017 for young composers winner and the performance of the three best compositions by Matko Brekalo (HR), Deniz Nurhat (TR), and Marijana Janevska (MK); and the programme will also include works by the Swiss composers Matthias Arter and Stefan Wirth.
CLOCKWORKS[SONEMUS Ensemble (BiH/CH), cond. Edo Mičić (AT/HR)] will present the masterpiece of contemporary artistic music by György Ligeti, Kammerkonzert for 13 instruments, and a composition that directly invokes Ligeti, Music Box by the young German-Serbian composer, Marko Nikodijević. The concert programme will also feature the composition of Bosnian composer Ališer Sijarić, Noise Prevails, and a composition by the Swiss composer Martin Jaggi.
NEOFONIA [Ensemble Neofonia (SI), cond. Steven Loy (USA/SI)] brings us the world premieres of new compositions by the prominent Slovenian contemporary composer Uroš Rojko, as well as the young Urška Pompe. The concert will also feature the premiere of a composition by the young Bosnian composer and flautist Hanan Hadžajlić. In addition, we will have the Bosnian premiere of significant compositions by one of the founders of the ‘French school’ spectralism, Tristan Murail, as well as composition by Christophe Bertrand, whom we lost so tragically early in his young life. The programme will also include the work of a prominent Swiss contemporary composer Dieter Ammann.
All concerts will be held at the BiH Armed Forces Hall (Zelenih Beretki 2, Sarajevo) beginning at 7:30 p.m.
Admission to all concerts is free.
Guest composers will also hold public lectures about their works, as well as classes for composition course participants. The guest composers are:
Vinko Globokar – April 7, 2017 at 10 AM
Marko Nikodijević – April 8, 2017 at 10 AM
Uroš Rojko – April 9, 2017 at 10 AM
Urška Pompe – April 9, 2017 at 2 PM
All lectures and workshops will be held at the Ars Aevi Depot (Centar Skenderija, Dom mladih, Terezija b.b., Sarajevo).
Previous Event: SONEMUS FEST 2016 – TRANCEGRESSION
It is our honour and pleasure to invite you to the SONEMUS FEST 2016. The title of this year’s edition, TRANCEGRESSION, is a hybrid formed by joining two English/French words: trance – a half-conscious state of mind between dream and reality, and transgression – violation of legal or social norms. This years programme explores the world of musical hybrids which combine contemporary artistic music and various genres of pop music, such as psychedelic rock, trance, acid house etc. However, unlike typical hybrids such as „decaffeinated coffee“ (S.Žižek), or „religion without God“ (R.Dworkin), which are deprived of their basic substance, combining musical genres sometimes produces new authentic qualities which subliminally resonate within us.
14.04.2016 CONCERT ACID RAIN Gagliano Ensemble (GB) + Sonemus (BiH/CH) Works by: Boulez Eizirik Gabryś Gordon Sijarić Xenakis | 15.04.2016 CONCERT BAD TRIP Sonemus (BiH/CH/GB) Works by: Boulez Furrer Hadžajlić Romitelli Sciarrino Zea | 16.04.2016 CONCERT LOONEY TUNES Platypus Ensemble (AT) Works by: Bešlic-Gál Eizirik Ferneyhough Kaiser Lang Rešidbegović Svetlichny |
Previous event: SONEMUS FEST 2015 – Sonic Boom
In a world saturated by cacophony of outdated and failed ideas and beliefs, disguised as high technology hybrids accommodated as easy and fast consumption, the true art of sound appears like a subversive explosion of sense in the ear/mind of a careful listener. SONEMUS FEST is dedicated to precisely this kind of music – the music based on genuine creativity and originality of artistic expression, meant to be confronted by the audience (not to be consumed).
The concerts were performed by talented young musicians from Bosnia and Herzegovina and Switzerland, guided by the doyen of the European music scene, conductor and composer Jürg Wyttenbach.